Baby Field Mouse in Hand Cont.

The hand is transferred and underway.  It is always a little difficult to find the right depth in the beginning to separate the shadows, so I apply the graphite lightly and will work to add several layers after the original blending.  If I go to dark with the graphite application in any area, it will muddy the blending stage.  When that happens, a kneaded eraser can be used to pull out the excess graphite. Sometimes, the graphite embeds to deeply into the grain of the paper and a white eraser is needed (sparingly).  When the clean up looks to be a major project, it is just easier to start over than to deal with problems that can arise from using a more harsh eraser.  Over time I have learned the hard way to resist making a strong initial layout, it is always better to sculpt the image in graphite using layers.      

 

 

 

 

Baby Field Mouse in Graphite

A baby field mouse is the subject of my next composition, and the drawing will be 8 x 6 inches when completed.   The photo was taken out of one of my own from last year.  I really like the positioning of the hand and the little mouse perched on it.  I will take this initial drawing and transfer it to Bristol Board.  All of my initial work will be based in 2b lead with a mechanical pencil.  By the looks of the background, the 6b wood cased pencil will definitely be put to use, too!  ;) 

I have been getting handy with the jigsaw as of late.  This drawing is mounted on my newly resized drawing table.  The lift to this drawing table was heavenly, but the width was a devil to maneuver and very heavy to tote.  So... I searched through my son's tools and found the correct ones for taking the hardware off the back.  The drafting bar on the front had to go, since it had only been used for resting pencils on.  Then after a little measuring, I cut a fairly large portion of the board off.  As you can see to the left, I sealed it with black paint and made a black line down the side to make it appear nice and straight.  The jigsaw and I took a few wrong turns! :(  Now the paint is dried, the hardware is reattached to the back, and viola my new and improved drafting board.  :)

Did I ever tell you the story behind this drafting table?  I bought a few of these in various large sizes off of EBay for pennies on the dollar, after I put my large drafting table into storage (hopefully to reappear once my new studio is constructed. :) ).  The tables were listed as scratch and dent returns.  I cannot say enough about how wonderful they are.  The surfaces on mine were all ready to draw on.  There was only one that had a tiny dent in a corner that my hubby repaired with filler.  The best part of the purchase was that I didn't sink a lot of money into them, so it makes them perfect to modify to my own specs. :)   I love shopping EBay!

Decisions... Decisions

Most of the month of February was spent playing with my colored pencils. (I will post some pics later. :) )  But as the middle of the month approached, I decided to get down to business and sort amongst my photos for my next graphite subject.  Some of the subjects where chosen from the Internet, and some of the compositions came from my own photography.  Last week, the choice had been made... well kind of.  ;)  Then,  I got looking through some old  archives of mine, and the hunt continued on-- each photo taking me down memory lane once more... This cost me days on end!! 

So this morning, I put an end to the insanity and threw a few faves onto the drafting table for a final decision...

**Note**  As I sat down to type this post, the memory stick for my camera had been left on the desk top and popped a reminder up on the screen... that was an hour and a half ago.  Bet you can guess what the time was spent doing... Aaaargh! 

Oh... and while I am thinking about it, my mind kicked in the fact that there was never a New Year's goal posted this year.  Well, I am fine with no definitive goals this year.  It was a topsy turvey end to last year and a crazy beginning to this one to say the least.  So, my outlook on 2013, and maybe for the next few years, is to keep an open mind and work schedule.  My word of the year is "Evolve".  I absolutely love it and think it fits me perfectly in every facet of my life right now-- where change is absolutely everywhere and  that is not always a bad thing!  ;)   I've got some new and old interests making their way back into my life again... It will be a little surprising to some, and they will unfold here in their own time. ;)

But for now, I am heading to my studio to make the final cut and get my new project underway.  At this moment...  Even I do not know what it is going to be! LOL

Wise ~ And A Study In Colored Pencils

Can you tell by the disarray of my drafting table that I decided to do a little impromptu study in colored pencil?  ;)   Last night, I sat down to contemplate my next study in graphite, which must begin by popping a movie into my DVD player. Somehow, I messed up the loading of "The Pagemaster" (Just felt like I needed a little artist rendered imagination in my life. :) ), and it took me through the making of the film.  The hand illustrated animation captivated me, and the process of colorization was as always... inspiring.   

It was then that I began to look through my colored pencil technique books and pulled out "Colored Pencils" by Morrell Wise.  This particular book seemed to be colored pencil drawing in its most broken down form.  Plus, a fellow artist had recommended this book to me a year ago for the blending lessons.  Without delay, I dug out my Prismacolors pencils and began sharpening.

**Note** Please do not think ill thoughts of me, but you can see by the photo below that my next step was to pull apart the book.  It is so much easier to see the pages flat on a surface.  I do this with all of the art books that I study drawing techniques from.  The pages of the book will get three hole punched, and the book will get placed in its own individual binder.  On the thrifty side, damaged books can be saved and bought cheaply with this in mind. :) 

 Charcoal paper was chosen for the support... extremely toothy.  My inner need to have perfect lines and control kicked in and stopped all progress. It almost made me put the color adventure on hold.  Then, I thought of how smooth Bristol had such an astounding effect on my graphite technique, so I decided to move on to a smoother surface.   

**Note**   While looking back at this unfinished piece this morning, I am drawn to the loose pastel feel.  It definitely deserves to be revisited and finished. 



The colored pencil technique works from defining the depths of the shadows and working out to the highlights.  This greatly appeals to me, since I have always seen my subjects as being made up of shadows.  So... I pushed on.  Grabbing a scratch piece of transfer paper, I started again.   It was a little iffy for a while, until I began to blend the red of the cherries.  I could feel myself being drawn into the process.  Then, I worked on the stems.  The final highlight was Cream, and the second the color grabbed onto the Apple Green-- I was hooked.  At that moment of blending, it became evident to me why colored pencil is referenced to as painting.  The process is amazingly similar and reminds me of painting with colored wax.  

"Colored Pencils" by Morrell Wise is proving to be a great jumping off point on my exploration of colored pencils.  I am anxious to experiment on a few more surfaces and will be enlarging the subject to get better control of the thick waxy pencil points.  (Graphite has me trained on such a thin lead.)  The book also contains the "how to" of rendering an apple, strawberry, and a bunch of grapes in a similar step-by-step process.  Wise's book was published in 1985; so, as far as I know, it is no longer being produced and that is a great shame.  Lucky for us, places like Amazon and EBay can be a great help in purchasing a copy. :)



Baby Otter Finished

While finishing up this drawing, I remembered why I fell in love with the photo of this little guy so much.  Not only is he small and fuzzy, but he is in the process of being hand fed.  It represents humans interacting with nature in one fine moment.  Is there anything better than lending a helping hand to someone in need? 

My pencils were put away about an hour ago, and the photograph below represents the finish to a much neglected drawing...  There may still be some final touches over the next few days, but he is complete enough to be introduced to my blogging friends. ;)

   

I decided to start the 2013 year with this finish, instead of my usual New Year's post.  (That post will have its turn next.)  I believe that this little guy has waited long enough!  ;)    

Happy New Year! :) 



Merry Christmas!

Ornaments can be such fascinating works of art!  I have such a love for the indented vintage ornies that were made in Poland.  When the lights are shining brightly at night, they capture the colors like wondrous mini caverns of ice. :)  One can find them in various locations on my tree.   I have spent many a December evening gazing at their beauty... *sigh*  

I wish everyone safe travels and a Merry Christmas!

Baby Otter 7

Here is the proof below... The drawing board is still in my studio! ;)  I have spent a couple of nights getting the fur mapped out on the rest of the baby otter.  As you can see by the photo comparison,  I definitely need to go darker on my little guy's fur and work on the tone of the background.  I've started working my 6b wood case pencil's rich graphite into the composition but have not begun smoothing it in yet. 

The image is a little washed out on this pic...  But, you can see by the mapped areas the flow of the fur by the negative representation of the shadows.  These are carefully placed markers to the layers that will follow and to the highlights that will be chiseled in with the clic eraser.  The 6b is showing up on the rest of the fur and will fan out as the tortillon works its magic.  The transition from the mussel out to the nose should give some much needed dimension to the otter's head.  I think that will give the little critter balance in its own right versus the detail in the hands.